Sat 26 Dec 2009
on avatar
Posted by Jed under rumination
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Could have used more airbending.
I honestly don’t know what the big deal with Avatar is. It’s almost cliche to complain about how cliche the movie was. So it’s Dances with Aliens, so what? Dances with Wolves was a damn good movie. Hell, if you had told me I’d be watching Dances with Wolves with exploding mech suits battles, flying dragons, and sexy blue women with tails, I would have said “Shit, who’s been reading my Amazon wish list and why did they make a movie out of it?”
Visually astounding does not begin to describe how incredible this movie looked, but nothing in the technologically groundbreaking category everyone seems to be raving about. It seems like they took existing technology and just threw as many man-hours at the screen with as much saturated HDR as they possibly could. Put $300 million and 15 years behind anything and I beg you to be unimpressed. I mean, seriously, they had Weta Digital on this project, probably the single most remarkable CG studio in the world. If James Cameron couldn’t deliver this much, they’d have taken him behind a dumpster and shot him in the head before this. Still might.
What is impressive, however, is the degree of expertise with which all the special effects were implemented. You can really tell motion capture and CG rendering have come a long way to overcoming the uncanny valley and it shows in all the little things. Dr. Augustine’s avatar looks a lot like Sigourney Weaver. When Neytiri moves she moves like a blue man-cat thing, when she cries, you feel her pain. The flora and fauna of Pandora are so lifelike, you almost feel like you’re watching a Blue Planet special about space Indians. All you need is Disney to buy the rights and release a bastardized American version that sucks.
Even the cliche parts I can’t complain about as Stephen Lang’s military twang is comfortingly familiar to a degree that could only be paralleled had they signed Jack Nicholson to the role. Michelle Rodriguez is her own stereotype and as long as she isn’t killing pedestrians in Hawaii, can you really fault her for doing what comes naturally to her? Cliches are cliches in the same way stereotypes are stereotypes: they’re accessible concepts that allow us to connect with cultural and primordial touchstones, whether that be respect for mother nature, or a deep unending hatred of the Jews. They’re necessary for storytelling and anything bereft of that would be a nonsensical dadaist interpretation of noncommunicable ideas better left for the avant garde quasi-artist or usability design specs.
I’m starting to understand the type of filmmaker James Cameron is and it’s causing me to reevaluate Titanic as a much more enjoyable film in retrospect. He’s a world builder and coming from a scifi background I can appreciate that. For all the pretentious depth and philosophical theorizing that comes with good science fiction, it’s really the clockwork worlds, the fantastic workings of imagined universes where our deepest desires and obsessive curiosities can be explored, that draw us in and Pandora is a vibrant realization of that fact. Avatar is no Miyazaki film, the plot and story paaaaaaales in comparison, but it does stem from the same universal naturalistic yearning that seems to afflict our post-industrial existence, and you can’t really fault Avatar for that, especially when it makes its case so strikingly, you know, in a genre and medium defined more or less by its escapism.
In fact, I’m willing to forgive the movie for all it’s fault for including one single scene: It’s the moment when Sam Worthington’s character comes out of the avatar chamber and you can see his atrophied legs. In that single moment, the fragile vulnerabilities of the lovable meathead is laid bare with such honesty that it does more to illustrate the stark contrast between the lush forests of Pandora and all that it can offer him, and the depressing, sterile reality that is his existence, than all the floating mountains on that planet.
It’s the internalization of this duality that makes up the majority of the internal turmoil for his character and I felt it was well done, regardless of the quality of the rest of the movie, especially the ending… the terrible terrible ending, and the mystical chanting and swaying, and the Hispanic girl in blue war paint which was color coordinated with her helicopter, and the stupid environmental message that was rammed down our throats, and the six-legged horses that looked like it came from a Final Fantasy game, or the fact that there’s a race of humanoid space Native Americans, or that there’s a tree internet and everyone plugs in with their ponytails? really? Ponytails? not their ACTUAL tails which is an extension of their spinal cords and thus the logical point of access for such things? or that mech suits have knives on them, actual knives with sheaths and harnesses instead of you know, extra guns? For that matter, why do they have hands? Henry Ford created standardized parts for a reason you know, your F-150 doesn’t have hands holding up the headlights, and why hands? why not claws or any other type of manipulator? Is a hi-five that integral to survival on Pandora? Or did someone in Space Marine requisitions go “hey we’ve got giant knives, why not put giant hands on our mech suits so they can use knives? Knives that are suspiciously the right size for the indigenous population of Na’vi thus capable of being misappropriated for their own uses? For that matter if the giant mountains float because they’re filled with unobtainium, why not just harvest those rocks instead of the one directly under a giant tree? You probably spent millions in incendiary weapons and fuel knocking over a tree whereas those mountains were halfway to your fucking spaceship already, just sitting there. In addendum, why did Dr. Augistine have to die, she seemed like the only person who would have appreciated the Na’vi perspective for anything other than having hot jungle sex, plus haven’t you killed off Sigourney Weaver enough times for one lifetime Cameron? Did she rape you in a previous life? Did you not like the original BBC version of Blue Planet? Not a Stanford fan? Also why are you giving Giovanni Ribisi work?
Look, what I’m trying to say is, in this day and age where even fucking Captain Picard is an action hero, taking bullets like they were insults, shooting Caruso one liners, it’s rare to see a hero with such honest vulnerabilities. It’s refreshing, regardless of how broadly those strokes were painted with, plus Pandora is awesome and I would like to live there and anyone who says otherwise is a soulless monster.
